![]() ![]() Here’s a track I’m working on that uses OTT at 16% on the master. The rule of thumb I generally use is no more than 20%, and usually sticking to ~10% of the amount. OTT on the master is a great ‘hack’ that can be used to glue your mix together, especially when you like the bright, pumping effect is has on any sound.īe sparing here though, as overdoing it could ruin your track. The birds foley sample below sounds quite nice once the OTT is applied, with 100% of the Amount cranked. On top of that, these sounds are usually blended in with other main layers, so compressing it heavily isn’t as much of an issue. This is generally, because organic foley has a lot of variation in dynamics that can be controlled. FX/Foleyįoley is an exception to the rule of ‘always use the amount knob’. I’m using a variation of the preset included in our free pack called ‘Lofi Crisp Highs Squash’. Here’s a guitar sample with OTT dialed in at 39%. Of course, you might be going for a static sound, so this only applies when trying to add interest. If you’re using a sample for a lead or bass, the chances are there will already be some interesting natural movement to the sound.īut if you’re relying on digital waveforms from a synth like Serum or Massive, you might want to add in a little something before you brutalize it. This gives it an almost claustrophobic quality to the resulting sound. The effect adds clarity, punch, and body to just about any instrument using upward and extreme downward compression in order. By this, I mean it might require you to revisit the initial synth patch if your sound is boring.įilter sweeps, volume or pitch changes etc. The renowned preset OTT on Ableton Live’s multi-band compressor is synonymous with contemporary electronic music. It’s important to use OTT on leads and basses to highlight the movement. You heard the drum example earlier? Let’s dial it back a bit to 30% and hear it applied more subtly. Blend the amount back and you can keep the natural sound of a drum loop or individual one shot. This gives it a heavy but controlled low end. One of my favourite tips for using OTT on drums is that you can boost the input and output gain of the low band. Using it on a drum break or loop can help to add character to the previously quiet nuances in the groove, adding a new-found texture to your percussion. OTT and drums is truly a match made in heaven. That being said, certain sounds can sound cool with it on 100%, especially in the context of creative sound design. It’s something we rely on heaps when processing sounds in EDM Foundations. The most important thing is to use the Depth knob in order to blend the dry signal with the processed one.īecause OTT is so intense, it often sounds best when blended in. Knowing how OTT works is only half the story – you need to know how to use it in the context of music. ![]() You can therefore disable both upward and downward bands. For example, you might want to leave to low frequencies completely untouched. Practically, you can use this if you don’t want any upward or downward compression. By holding CTRL and clicking the upward high-band, it turned grey. ![]()
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